Lucianne Lassalle - Workshop
     
 
Newly updated! Limited places!

Study Of The Life Model In Clay – Tuscany - Italy

La Meridiana, International Ceramic Centre
A 15th century farmhouse in the Tuscan hills
An intensive workshop working in clay from a life model
With Sculptor Lucianne Lassalle

All Tutoring, materials and firings included
Self-catering accommodation in a beautiful old farmhouse
A Visit to Florence to the Bargello Sculpture Museum
Studio open for 12 hours a day
Full Gourmet lunch each day

21st - 27th June 2009
To book: Phone/Fax 00 39 0571 660084 email info@lameridiana.fi.it
For more details visit: www.lameridiana.fi.it

Look at www.Ryanair.com flights from Stanstead to Pisa or www.easyjet.com flights from Bristol to Pisa - if there is enough people on the same flight a collection from the airport will be arranged - contact Lucianne for co-ordination.

 
 
  Lucianne Lassalle - Workshop
     
  2. 'The Model In Clay'

'The Model In Clay'
With Lucianne Lassalle

Working from a life model in clay
An informal 4 day workshop

The Summerleaze Gallery
East Knoyle, Salisbury, Wilts SP3 6BY

May 2009
For more info and bookings visit: www.summerleazegallery.co.uk

3. 'The Model In Clay'
With Lucianne Lassalle

Working from a life model in clay
An informal 4 Day workshop

Honiton Dorset (B&B available)

11th - 14th September 2008

For more info and bookings contact: glyncanney@btinternet.com

Briefly - what we will do in the workshops

These workshops will be focused, creative and intensive, for students to gain a good working understanding of the human form.
They are suitable for all students from absolute beginner to the more experienced.

All students will be tutored on an individual basis, everyone works at their own pace.

We will learn about the proportions, basic anatomy, rhythms and dynamics of the human figure.
We will be studying the human form through life drawing, clay sketches, and short studies culminating in a three/four-day pose.
We will aim to make one main focused piece of work, creating an in-depth observation and exploration of the human form.

There will be flexibility for students who wish to move from direct representational interpretation to creating their own expressive or abstracted interpretation of the human form.

Students will be working in clay without an armature. We will be using a fairly groggy crank or hand-building clay.

The max size of the work will be determined by kiln sizes and transportation restrictions.

We aim to have serious fun, to work hard and to extend our perceptions of the human form

Learning to really look at what 'is' rather than what we 'think' it is.